Naturalist Illustration with Ballpoint Pen
Materials
A course by Ricardo Macía Lalinde, Graphic Designer and Illustrator
Joined January 2016
About the video: Materials
Overview
“In this lesson I will introduce you to the materials that I recommend, I will also show you what type of substrate I use for my work and the ink accumulation system of the pen. ”
In this video lesson Ricardo Macía Lalinde addresses the topic: Materials, which is part of the Domestika online course: Naturalist Illustration with Ballpoint Pen . Explore ink techniques using a ballpoint pen and learn to master line work to create eye-catching shadow, light and texture .
Partial transcription of the video
“Before starting with the development of our project. i'm going to show you the materials I most enjoy with and those we will need for our course development. The first one is the pen. a very good tool because it is very economical and we can find it almost anywhere. Additionally. it offers a unique tactile experience and allows for creative expression in ways digital tools cannot match. The brand I like working with the most is BIC pens. and I always work with a black pen. Now. let me discuss the substrate I prefer for my artwork. I have a strong preference for Moleskine This paper is renow...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Naturalist Illustration with Ballpoint Pen
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Category
Illustration -
Software
Adobe Photoshop -
Areas
Drawing, Naturalistic Illustration, Realistic Drawing, Traditional illustration

Ricardo Macía Lalinde
A course by Ricardo Macía Lalinde
Born in Medellín, Colombia, Ricardo Macía is a graphic designer who recently made a professional detour to devote himself to the art of illustration. Throughout his career he has worked with brands like [i]Editorial Norma[i], the University of Antioquia, and the newspaper [i]El Colombiano[i]. His favorite tool is the ballpoint pen because it enables him to recreate virtually any texture and enrich his illustrations with realism.
In recent years, he's been working on a personal project where he creates dreamlike worlds that question society and individual identity. Animals and organic shapes can be found in most of his work as symbols of protest against mankind's destruction of nature and threat to the very existence of the human race.
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