Paper Cutting Illustration: Create Extraordinary Books
Harlequin Characters and Fanzine 2
A course by Paz Tamburrini, Illustrator
About the video: Harlequin Characters and Fanzine 2
Overview
“You will see a procedure similar to the one in the previous unit, but this time it will be to find another of the characters in the story.”
In this video lesson Paz Tamburrini addresses the topic: Harlequin Characters and Fanzine 2, which is part of the Domestika online course: Paper Cutting Illustration: Create Extraordinary Books. Push the boundaries of traditional books by creating a story illustrated in 3D.
Partial transcription of the video
“I've been busy crafting numerous variations. experimenting with various heads and bodies. and I've these options quite appealing and satisfying. I must decide which one to keep from these options. but that will come later. Let's begin with the second choice now and see how it unfolds. Give it time and we will perform a similar procedure. but this time to locate our elusive red queen. I've set up another format. similar to Alice's but slightly larger. to create the red queen. It's ready to go. just needs a few final touches. We will continue our efforts as we have been doing. We will cut. ca...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Paper Cutting Illustration: Create Extraordinary Books
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Category
Craft, Illustration -
Areas
Bookbinding, Children's Illustration, DIY, Editorial Design, Narrative, Paper Craft, Storytelling, Traditional illustration
Paz Tamburrini
A course by Paz Tamburrini
Born in Buenos Aires, Argentina, Paz Tamburrini is a professional visual artist, engraver, and illustrator who specializes in creating books using paper cutting. Her work has been published around the world in editorials such as Edelvives, La brujita de papel, Gerbera and Milrazones.
She studied a Master's in books and children's literature at the UAB and is just as fascinated by the theory of books as she is by the practical side of their creation. Her passion for turning the book itself into a narrative element led her to learn various paper engineering techniques which she uses to create pieces that awaken the curiosity of many different audiences.
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