Isometric Animation with Illustrator and After Effects
Sketch! Sketch! Sketch! 1
A course by Ana Pérez López, Illustrator and Animation Director
About the video: Sketch! Sketch! Sketch! 1
Overview
“A sketch is the backbone of an illustration and in this lesson, you will learn how to develop one that considers the isometric feature of the illustration. Also, I will discuss how to make compelling compositions and create contrast with scale. ”
In this video lesson Ana Pérez López addresses the topic: Sketch! Sketch! Sketch! 1, which is part of the Domestika online course: Isometric Animation with Illustrator and After Effects. Learn to how play with lines, shapes, and perspective to create isometric illustrations in Adobe Illustrator and bring them to life with After Effects.
Partial transcription of the video
“ Sketch! Sketch! Sketch! Now that we have a mood board, we'll make a sketch, paying attention to what we did and all of our keywords. A sketch is the backbone of your illustration. It is important to you but no one else needs to see it or do anything. It will be great to activate our imagination. Think of it as a living organism. It's never written in stone. It doesn't matter how it looks, all that matters is that you see what it will become. Normally, you wouldn't always use the isometric grid to sketch. However, until we have that perspective or dimension in our brain and hands, it's goo...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Isometric Animation with Illustrator and After Effects
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Category
3D & Animation, Illustration -
Software
Adobe After Effects, Adobe Illustrator, Adobe Photoshop -
Areas
2D Animation, Animation, Digital Illustration, Vector Illustration

Ana Pérez López
A course by Ana Pérez López
Madrid native Ana Pérez López is a digital illustrator and animator based in London. As a restless spirit, she’s changed career paths and countries multiple times, but has always been driven by storytelling. She started as a journalist in Chile and went on to study animation in California before landing in the UK. Her illustration style is characterized by expressive color palettes, playful shapes, and a creative use of perspective that adds a touch of surrealism to her art.
Since switching from written to visual narratives, Ana has worked with clients like Culture Trip, Spotify, Vimeo, Samsung, UN Women, The New York Times, Harvard Business Review, and The Economist. Her films have been featured at festivals such as SXSW and have earned her several awards, including a Young Guns in 2020 and an Emmy for her collaboration on an animated short for CNN.
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