Guided Course: 3D Paper Sculpture for editorial cover
We stick feathers, beak and eyes 1
A guided course by Diana Beltran Herrera, Industrial Designer
Joined October 2017
Joined October 2017
About the video: We stick feathers, beak and eyes 1
Overview
“The time has come to explain how to stick the feathers. Also how to finish accommodating the wings and the final details of the beak and eyes. ”
In this video lesson Diana Beltran Herrera addresses the topic: We stick feathers, beak and eyes 1, which is part of the Domestika online course: Guided Course: 3D Paper Sculpture for editorial cover. Explore advanced papercraft techniques by creating a bird sculpture for a unique and creative editorial cover..
Partial transcription of the video
“In this lesson. i'm going to explain how we're going to assemble our bird. The first step involves washing my hands since the previous activity was painting the legs. It's crucial not to transfer paint onto the white paper that will serve as our primary canvas throughout the assembly process. If your hands are dirty. pause. wash them. and return. First. i'll explain how to attach the tail to our skeleton. Here's what's left from my previous work. It's essential to start with clean hands to avoid transferring any unwanted substances onto the materials we'll be using for this assembly. I'm go...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Guided Course: 3D Paper Sculpture for editorial cover
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Category
Craft -
Areas
Arts & Crafts, Design, Paper Craft, Sculpture, Traditional illustration
Diana Beltran Herrera
A guided course by Diana Beltran Herrera
After graduating as an industrial designer from the Universidad Jorge Tadeo Lozano in Bogotá, Diana decided to explore design from a more experimental perspective, studying the different qualities of cheap and ordinary materials such as paper and cardboard and developing simple ways to transform them and give them a new value and use.
Nature and animals are very present in Diana Beltrán's work, which she explores endlessly through papercraft.
Her work has been exhibited in Europe, Asia, Latin America, and the United States, where she has participated in group and solo shows. She has also worked for international clients in editorial design, advertising, window dressing, events, and interior design projects, working for 215 McCann, Olivari Olive Oil, Volevatch, Longwood Gardens US, ENI, Marina Rinaldi, Lebeau-Courally, James Cropper UK, Hodder and Stoughton UK, Horse Mag, On investing magazine, the Libertine Lindenberg Hotel, Restaurant Auberge de l'Ill, Mercedes Salazar, and UH Hospitals USA.
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