
The saying may go “Don’t judge a book by its cover”, but the truth is, audiences do react to an impactful illustration, which results in publishers consistently returning to the same illustrator for other eye-catching work.
Jon Berkeley has been illustrating magazine covers, newspapers, and book covers for almost 30 years. He has worked for L’Express, The New Statesman, Volkskrant, The Economist, and many others. Illustrating the message of a complex story is his expertise, and with this course, you will transform your illustrations into striking, professional work using acrylics.
See how to illustrate with acrylic paint to enhance your work through vivid colors and unearth a captivating image with Jon’s creative and unique methodology.
20 lessons & 18 downloads

1 minute, 31 seconds

8 minutes, 36 seconds

12 minutes, 35 seconds

19 minutes, 49 seconds

21 minutes, 21 seconds

16 minutes, 20 seconds
Jon introduces himself and tells you about his experience in illustration. He gives some insight on materials you’ll use and helps you set up your workspace to work more efficiently.
Then, learn all about acrylic paints, trying a series of painting techniques, and how to use color for mood and emphasis. See lighting and volume as a means to add more drama and mystery to your work and do some practical exercises to help you with the technique.
Learn about the two main stages in preparing for your illustration: concept sketching and the working sketch. Decide on the format and dimensions for your illustration, and look up articles to search for visual and verbal cues.
Look for ways to creatively combine the elements you find in your research to start creating an eye-catching illustration that entices the audience to read the article you’re illustrating.
Pick the strongest concept sketch and work on the composition. Try unusual angles and play with depth and scale, to create an impactful concept.
Once you have the outline of your illustration, begin painting with Jon’s guidance, using his methodology to give strength to your composition.
Jon takes you through his own “spit and polish” method for finishing your painting, adding highlights, sharpening or softening details, and more, to give it the final wow factor.
Finally, scan your illustration, and use Adobe Photoshop to enhance the color and perfect the tone of your illustration.
Learn how to paint with acrylics, while developing a strong professional-looking conceptual illustration based on a real brief from a leading news magazine.

This course is for anyone interested in learning how to paint with acrylics while developing ideas for strong, punchy illustrations. No previous experience with acrylic is necessary, however, experienced painters can improve their painting and creative concept development skills with this course also.
Previous experience is not required to take this course, as Jon shows you how to paint with acrylics right from the basics.
As for materials, you will need soft pencils (2B, 4B), an eraser, layout paper or similar, acrylic paints, and synthetic watercolor or acrylic brushes (flat and round) in various sizes. Acid-free drawing paper (240-300 lb), a prepared canvas, or illustration board, a flat-bed scanner (or access to scanning service), a computer, and Adobe Photoshop. If you don’t want to do the final details of your piece digitally, you can take the course without the last two requirements.

I'm at Painting techniques 1-2-3 at the beginning, and it would help to be able to see what the instructor is seeing while painting. I'm looking forward to the next units with insights about the concept stages and seeing the painting process.
I quite enjoyed this Jon Berkeley course. Of particular note: his explanation of how the Masters used light and shade, his own techniques for shading and his various tools for applying acrylic.
Me parece muy interesante
I love Jon's work and his way of creating vibrancy through color. The way he shows you his whole process is helpful.
Thanks! Super!

Introduction
Preparation
The Sketch Stage
Creating Your Painting
Spit and Polish
Final project
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Yes, this course is designed for intermediate artists seeking to enhance their acrylic illustration skills, especially in editorial and conceptual work.
You'll need acrylic paints, various brushes, acid-free drawing paper, a sketchbook, pencils, a palette, masking tape, and access to a scanner for digitizing artwork.
You'll learn how to develop conceptual sketches, apply acrylic techniques for expressive illustrations, prepare artwork for print or digital, and combine traditional and digital media.
Some basic familiarity with painting or drawing is recommended, but the course covers essential acrylic techniques and materials for illustrators.
The course teaches scanning, digital alignment, and file formatting techniques to ensure your acrylic illustrations are ready for professional print or online publishing.
Yes, the course focuses on interpreting briefs, generating ideas from text, and visual storytelling for editorial and conceptual illustration with acrylics.
You'll explore blocking, underpainting, layering light and shadow, dry brush, wet into wet, color mixing, and creating texture with acrylics.