Introduction to Surrealist Oil Painting
Use of pictorial tools
A course by Jhoel Mamani Espinoza, Plastic and visual artist
Joined July 2019
Joined July 2019
About the video: Use of pictorial tools
Overview
“In this lesson we will turn to using the technical tools to be able to advance methodically. ”
In this video lesson Jhoel Mamani Espinoza addresses the topic: Use of pictorial tools, which is part of the Domestika online course: Introduction to Surrealist Oil Painting. Learn this painting technique and create dreamlike characters, scenes, and worlds.
Partial transcription of the video
“In this lesson. i'll introduce the tools we'll utilize. explaining their functions and significance in crafting this pictorial proposal. Each tool is crucial for our creative process. On the table. a variety of materials are laid out. each essential to the pictorial process. Notably. the oils are positioned on the right side. while the thinners and solvents are located at the upper left. These elements are integral to our creative journey. providing the necessary tools to achieve our artistic On the left. you'll find the brushes and pencils essential for this course. ready for use as we pro...”
This transcript is automatically generated, so it may contain mistakes.
Course summary for: Introduction to Surrealist Oil Painting
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Category
Illustration -
Areas
Fine Arts, Oil Painting, Painting
Jhoel Mamani Espinoza
A course by Jhoel Mamani Espinoza
Jhoel Mamani is a visual artist with a specialization in painting. He studied Fine Arts in Peru, and is dedicated to the investigation of visual fundamentals in painting and teaching visual arts.
Mamani considers himself a workshop and field painter, and a lover of the surrealist style. He has made different art exhibitions, local and national. He is currently the art director of the cultural association "PopulArt", where he promotes integrated arts in districts and vulnerable areas in Peru. The Congress of the Republic of Peru has awarded him the distinction of Commended Cultural Figure 2019.
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